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DEERFOOT OF THE BLACKFOOT TRIBE (2006) PAR GEORGE LITTLECHILD
By Myriam Asselin
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THE SIGNIFICANCE OF COSTUME IN THE HOWIE FAMILY PORTRAIT
By Amanda Burstein
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SEEKING THE SPIRIT WITHIN
By Damien Fortin
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PRECONCEPTION AND PREJUDICE IN “BANDMASTER WHEELER AND BOY’S BAND, COMMUNITY MOVEMENT, PEMBROKE”
By Michel Hardy-Vallée
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DEATH AND THE AGING FACE IN SUSAN BENSON’S
OBSERVATIONS
By Samantha Henman
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CHALLENGING RELATIONSHIPS: ANNIE POOTOOGOOK MEMORY OF EATING WITH FAMILY AND IMAGES OF MODERN INUIT LIFE
By Jason Klimock
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PORTRAYING THE OTHER: A POST-COLONIAL ANALYSIS
OF PORTRAIT OF AN ELDERLY BLACK MAN (ALFRED
BUTLER?) BY JOSHUA JOSEPH BIEHN. 1899.
By Emma Kreiner
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ANDREW QAPPIK (SELF PORTRAIT IN A PRINTSHOP)
By Zofia Krivdova
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THE LUMBER CAMP AT BLIND RIVER
By Patrick Leonard
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COPING WITH THE ASHES: SPRING HURLBUT’S DEUIL AS DEATH REVIEWED
By Vana Nazarian
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MR. AND MRS. HENRY DOMINY
By Julian Peters
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SISTERS ON STAGE: DEIRDRE AND PHYLLIS HURST
By Mikhel Proulx
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NATIVE IDENTITY AND CHRISTIANITY: JANE ASH POITRAS’ HEAVEN AND HELL
By Eliana Stratica-Mihail
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